體驗區
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| 篇名 |
「再現文件大展」作為文化政治事件：分析《雄獅美術》、《藝術家》與《典藏今藝術》第七至十二屆文件大展之報導
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| 並列篇名 |
“The Representation of documenta” as Cultural Politics Event: Study on the Reports of documenta 7-12 in the Art Magazines- Lion Art, Artist, and ARTCO
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| 作者 |
呂佩怡(Lu, Pei-Yi)
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| 中文摘要 |
文件大展成立於戰後的1955年，每五年於德國卡塞爾舉辦，是當代國際藝壇極具分量的大型展覽。第七屆文件大展（1982）是台灣第一次有系統性的報導介紹，此後每屆文件大展皆在台灣藝術圈掀起熱潮，藝術媒體多以「藝術界的奧林匹亞」、「當代藝術朝聖地」，或「視覺藝術界的奧斯卡」等形容文件大展。透過專門藝術雜誌之報導，文件大展地位在台灣當代藝術圈屹立不搖。此現象成為本研究的問題意識：專業藝術雜誌呈現甚麼樣貌的文件大展？這些持續被再現的文件大展意味著什麼？對台灣當代策展產生什麼樣可能的影響？本文聚焦於第七屆至第十二屆文件大展於三個紙本藝術雜誌：《雄獅美術》、《藝術家》、《典藏今藝術》之報導，分析「再現文件大展」之方法與形象。本文認為「再現文件大展」不僅是當代策展概念與實踐的新知新訊傳達，更重要的是一種儀式性傳播—專業藝術雜誌根據台灣在地需求出發，將「文件大展」作為一種外部推力，用以面對台灣藝術圈的詢問：「我們藝術的位置何在？」。換句話說，「再現文件大展」可視為台灣當代藝術的文化政治事件。
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| 英文摘要 |
Founded in 1955, documenta, which takes place every five years in Kassel, Germany, has been an important and long-standing international exhibition in the post WWII period. In Taiwan, the first introduction to, and report on, this exhibition was documenta 7. Afterwards, each documenta has triggered extensive discussions and debates over the years. The significance of documenta is reflected in descriptions and praise in the media, where phases such as such as “the Art Olympics”, “Pilgrimage of Contemporary Art” and “Visual Art Oscar Awards” have been used. This phenomenon raises the questions addressed in this research: What is the image of documenta reflected in these media reports? What are the peculiar implications behind these representations of documenta? What has been the impact on Taiwan contemporary art curating? This essay focuses on the representation of documenta 7-12 in three professional art magazines – Lion Art, Artist and ARTCO – and analyzes the methods and images presented of documenta. It is argued that “the representation of documenta” as an event in these magazines implies more than just the transmission of new information and stories about curatorial concepts and practices. It is also a response to Taiwanese local needs, raising the question “What is the present situation of Taiwanese art?”. That is to say “the representation of documenta” should be considered as a Taiwanese cultural political event.
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| 頁次 |
001-056
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| 關鍵詞 |
文件大展
、雜誌報導
、展覽史
、再現
、文化政治事件
、documenta
、Media Reports
、Exhibition Histories
、Representation
、Cultural Politics Event
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| 卷期 |
40
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| 日期 |
202101
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| 刊名 |
藝術評論
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| 出版單位 |
國立臺北藝術大學
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| DOI |
10.3966/101562402021010040001
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