體驗區
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| 篇名 |
由威尼斯雙年展觀察臺灣文化外交策略
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| 並列篇名 |
Observing Taiwan’s cultural diplomacy strategy through the Taiwan Pavilion at the Venice Biennale
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| 作者 |
郭唐菱(Kuo, Tang-Ling)
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| 中文摘要 |
文化外交為臺灣長期推動之政策，在國家發展的歷程中，政府組織不斷因應政策調整，而政府對外投射的形象也不斷地轉變。目前臺灣文化外交以「網絡治理」的方式實踐，由不同的行為者：政府部門、機關、個人與民間團體一一共同執行。臺灣政府以網絡治理的模式操作威尼斯美術雙年展臺灣館，累積20年的展覽成果，本文以此作為文化外交觀察案例。本文整理其政策的形成與內涵、組織與行政、歷年展覽策略及視覺文化變遷。以文化政策為脈絡，臺灣館作為文化外交案例的特質為：輸出成果獨立於國家文化政策；於國內遭遇不同目標的競合，最後對於未來整體政策提出建議。
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| 英文摘要 |
Cultural diplomacy is a policy which has long been implemented by the Taiwanese government. During the history of national development, government structure has developed along with the policy, and the international image the government wishes to project has changed. Now Taiwan’s cultural diplomacy is practised through network governance, which means the policy is implemented collaboratively by different actors: government departments, institutions, individuals and civic groups. The Taiwanese government has operated the Taiwan Pavilion at the Venice Biennale through network governance, accumulating 20 years of exhibition output. It can be regarded as a case study of Taiwan’s cultural diplomacy. This article collects and organizes policy formation and content, policy structure and administration, exhibition strategies over the years, and the Pavilion’s changing visual culture. In the context of cultural policy, the article argues that through the Taiwan Pavilion, as a case in cultural diplomacy, several characteristics can be observed: produce output independently from the national cultural policy; encounter competition and cooperation between different domestic goals. Finally, the article proposes an outline of suggested future policy.
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| 頁次 |
115-139
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| 關鍵詞 |
文化外交
、文化政策
、威尼斯雙年展臺灣館
、Cultural diplomacy
、Cultural Policy
、The Taiwan Pavilion at the Venice Biennale
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| 卷期 |
37
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| 日期 |
201907
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| 刊名 |
藝術評論
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| 出版單位 |
國立臺北藝術大學
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| DOI |
10.3966/101562402019070037004
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