體驗區
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| 篇名 |
達彌施對《聖方濟各的一生》系列壁畫的分析
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| 並列篇名 |
Damisch9s Analysis of the Fresco Cycle The Life of St. Francis
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| 作者 |
劉佳宜(Chia-Yi Liu)
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| 中文摘要 |
本文關注達彌施對阿西西教堂《聖方濟各的一生》系列壁晝的分析。有別於常見作品分析連貫的論點，達彌施的作品分析結構更顯破碎，議題各自分立。作品分析處理到五個議題：「繪晝作為工具」、構圖問題、壁晝層問題、手勢、風格。第一個議題討論符號理論出發點，第二、三、四議題則是對作品組成因素的功能探討，第五個議題論「風格」，並不將前面的發現串連為完整的符號解釋，而是一種延伸反思。研究發現，阿西西系列的分析在達彌施藝術符號學中是「句法」的例子，但「句法」不是規則，不是靜態的構圖方式，而是繪晝成形的歷程所透露的組織調度方式。
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| 英文摘要 |
This essay focuses on Damisch5s analysis of the fresco cycle The of St. Francis in the upper church of San Francesco at Assisi. A notable point in Damisch5s treatise is its structure, which is rather fragmental compared to common argumentations. Damisch’s analysis consists of five sections, respectively: the proposition of “painting as an instrument,” discussions on the composition, on the intanaco, an analysis of the usage of “gesture,” and discussions on “style.” The first section outlines the framework of a semiotic approach. The following three parts assess the elements in the frescoes, specifically their function. As for the fifth section, Damisch’s inquiry of the stylistic aspect does not simply provide a conclusion to the semiotic study. Instead, it applies the discoveries from previous investigations to reconstruct the focusing point of analysis of paintings. The main discovery of this study is that the analysis of the Assisi cycle exemplifies “syntax” in Damisch’s Semiology of Art, yet not by being a static compositional scheme, a code, but by being the manifestation of a process of mise-en-scene.
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| 頁次 |
041-062
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| 關鍵詞 |
達彌施
、喬托
、阿西西系列
、句法
、Hubert Damisch
、Giotto
、The Assisi cycle
、Syntax
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| 卷期 |
15
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| 日期 |
202210
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| 刊名 |
藝術研究學報
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| 出版單位 |
國立臺南大學
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| DOI |
10.53106/207035892022101500003
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