體驗區
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| 篇名 |
禪對話中的雙關語幽默—「幽默失諧」
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| 並列篇名 |
Humorous Incongruity and Punning Humor in Chan Dialogues
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| 作者 |
賴春燕(Lai, Chun-yen)
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| 中文摘要 |
在英語世界裡，雙關語一直以來被視為一種「適合於嚴肅話題的高貴藝術」(Sherzer 1985: 215)。而當今的學者認為雙關語「具幽默意圖，不適合嚴肅話題」(Sherzer 1985: 215)。然而別於一般幽默之使用，中國唐代禪師所使用的幽默雙關語有其嚴肅之目的。本論文從社會認知語用的角度，著重雙關語所涉及的語言機制及詮釋過程，分析中國唐代禪師於禪對話中所使用的雙關語。雙關語之幽默跟語言的多義現象有關，幽默現象的發生是說話者自身違背了Grice 的對話原則，致使聽話者(詮釋者)經歷到言語幽默的共通特質—「幽默失諧」。
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| 英文摘要 |
Puns are a form of speech play which used to be regarded, in the English speakingworld, as “high art and quite appropriate for serious topics” (Sherzer 1985: 215), buttoday they are considered most often as a language form which is “humorous in intention,inappropriate for serious discourse, but highly appropriate for much advertising” (ibid).This paper is devoted to a socio-cognitive-pragmatic analysis of Chan masters’ use ofpuns in interacting with their disciples or other Chan masters. Its focus is the linguisticmechanisms and interpretation processes involved. The analysis demonstrates thatpunning humor concerns linguistic ambiguity due to homonymy or polysemy in language,as proposed in Attardo (1994) and Norrick (1986). Punning humor production involvesthe violation of Grice’s Maxims of conversation. Its interpretation relies on the genericfeature of verbal humour—humorous incongruity, as advocated in Lai (2007). Specific tothe pun in Chan is its being a means employed by Chan masters to achieve certainserious purposes.
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| 頁次 |
001-035
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| 關鍵詞 |
雙關語
、Grice 的對話原則
、幽默失諧
、Pun
、Grice’s Maxims of conversation
、Humorous incongruity
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| 卷期 |
9
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| 日期 |
201207
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| 刊名 |
SPECTRUM ： NCUE Studies in Language, Literature, Translation
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| 出版單位 |
國立彰化師範大學
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