體驗區
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| 篇名 |
形式的抗争-《灵感女孩》中叙事身位的分析
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| 作者 |
吴瑜
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| 中文摘要 |
谭恩美的《灵感女孩》设计了两个叙述者：妹妹奥莉维亚和姐姐邝。从苏珊•兰瑟女性主义叙事学叙事身位角度分析，本文作者认为谭恩美通过分别赋予两个女性叙事视角权威，成功地建立了女性叙述者的叙事权威，表达了她在这个充满偏见的男权社会里为女性争取平等社会地位的意图和颠覆不公社会压迫的愿望。通过女性叙事权威的建立，谭恩美成功地在这个男性中心的社会里建立了女性独立平等的主体性。
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| 英文摘要 |
There are two narrators in the The Hundred Secret Senses: Olivia and Kwan. From the perspectives of Susan Lanser's narrative status, the thesis writer aims to argue that by granting authority to the two narrative points of view respectively Amy Tan establishes the authority of female narrative, which shows her intention of attaining the equal social position for the female and female writers and her desire to undermine the unfair definition and oppression of women in the biased patriarchal society. Through the establishment of female narrative authority, Amy Tan successfully sets up the male-privileged subjectivity for women in this phallocentric world.
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| 頁次 |
34-35
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| 關鍵詞 |
叙事视角
、叙事身位
、叙事权威
、争取平等及颠覆压迫
、女性主体性
、Point of view
、Narrative status
、Narrative authority
、Attaining the equal social position and undermine the oppression of women
、Female subjectivity
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| 卷期 |
372
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| 日期 |
200901
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| 刊名 |
中外教育研究
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| 出版單位 |
中外教育研究編輯部
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